Students, staff, faculty, alumni, and any members of the public are all invited to the 2017-2018 series of Faculty Pub Night at the William H. Hannon Library. Eight LMU professors (four per semester) are selected annually to discuss their latest publication or project in a comfortable setting and format that welcomes diverse perspectives for an inclusive conversation aimed to educate the entire community.
The sixth Faculty Pub Night of the 2017-2018 season features Carla Marcantonio, Associate Professor, Film & Television Studies at LMU's School of Film and Television. Marcantonio will discuss her recent publication, Global Melodrama: Nation, Body, and History in Contemporary Film.
About the Author's Work: Why is melodrama a valuable framework through which to approach global, contemporary films? Melodrama manipulates us to feel deeply about the structures that ground our experience of the world: our bodies, the family, the home, and the nation. For this reason, melodrama is a narrative and aesthetic form employed to sustain the national imagination. Globalization is a phenomenon that has challenged the national imagination because it has profoundly changed how we live and connect to others and how we experience both space and time. Global Melodrama analyzes the ways in which film melodrama has adapted this new geopolitical reality and examines how contemporary films ask us to rethink how we tell stories about our sense of identity and community. Through case-studies and close readings of films that emerge from different national and aesthetic traditions, this book demonstrates how global melodramas, far from championing the borderless landscape that the term “global” might index, instead maps and circumscribes new temporal, spatial, and embodied territories. The films that the book investigates as exemplary of the trends of this new, transnational mode of melodrama are: In the Mood for Love (Wong Kar-Wai, Hong Kong, 2001), Talk to Her (Pedro Almodóvar, Spain, 2002), 2046 (Wong Kar-Wai, Hong Kong, 2004), The World (Jia Zhangke, China, 2004), Babel (Alejandro González-Iñarritu, Mexico/US, 2006), The Bubble (Eytan Fox, Israel, 2006), Colossal Youth (Pedro Costa, Portugal, 2006), and The Skin I Live In (Pedro Almodóvar, Spain, 2011).
About the Author: Carla Marcantonio is an Associate Professor of Film, Television, and Media Studies. She is a scholar of transnational/global cinema and of the films of Pedro Almodóvar. Carla’s articles and essays have appeared in collected editions as well as in journals such as Social Text, Women and Performance and Cineaste. Her book, Global Melodrama: Nation, Body, and History in Contemporary Cinema (Palgrave MacMillan, 2015) investigates how contemporary film melodrama helps map new temporal, spatial, and embodied territories in response to globalization.
About Faculty Pub Night: All Faculty Pub Nights are free and open to the public. Pub refreshments and snacks will be served courtesy of the William H. Hannon Library. For more information or ADA accommodations, please contact Ray Andrade, Programming Librarian, at (310) 258-4648 or email@example.com.
Tuesday, February 20 at 5:30pm to 7:00pm
William H. Hannon Library, Von der Ahe Suite (Level 3)
1 LMU Drive, Los Angeles, CA 90045
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